By Eric Gans
Regardless of showing in twenty-eight videos in little over a decade, Carole Landis (1919-1948) by no means particularly grew to become the most important Hollywood celebrity her onscreen presence must have afforded her. even though she acted in such enduring movies as A Scandal in Paris and Moon over Miami, she was once customarily relegated to aiding roles. even if she performed the main position in a characteristic, as she did within the Powers lady and the movie noir I get up Screaming!, she used to be billed moment or 3rd in the back of different actors. This biography lines Landis's lifestyles, chronicling her beginnings as a dance corridor entertainer in San Francisco, her profession in Hollywood and overseas, her USO performances, and eventually her suicide. utilizing interviews with actors who labored with Landis, modern motion picture magazines and journals, and correspondence, biographer Eric Gans unearths a sad determine whose lifestyles was once all too short. Landis's large holiday got here in 1940 with Hal Roach's a million B.C. She seemed in 13 20th Century-Fox photographs among 1941 and 1946. In 1942-43, Landis entertained troops in England and North Africa within the in basic terms all-female USO travel. The journey resulted in her memoir, 4 Jills in a Jeep, and a Fox motion picture of a similar name. After her final American movie in 1947, she accomplished tasks in England whereas having an affair with married actor Rex Harrison. stricken by a love that can now not bring about matrimony and depressed approximately getting old, she took a deadly drug overdose on July five, 1948. Eric Gans is professor of French at college of California, la. he's the writer of various books together with so much lately The Scenic mind's eye: Originary pondering from Hobbes to the current Day, and his articles have seemed in lots of periodicals.
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Extra info for Carole Landis: A Most Beautiful Girl (Hollywood Legends)
The two beauty contests she entered at twelve and thirteen BEGINNINGS (1919–1935) 19 are another stock biographical element. Apparently, she won fourth prize and a pair of oversize stockings “with cotton tops” in the first contest and second prize and an electric heater in the second, for which she had prepared by purchasing a red bathing suit. One account adds that she entered several more times but was unable to win first prize. Clara’s article claims mistakenly that Frances won both contests.
He looked at the girl and said, “Take your shoes off. Now run to that post as 42 PING GIRL: AT ROACH STUDIOS (1939–1940) 43 fast as you can. ” She did. I wasn’t particularly impressed. That’s a hell of a way to find a leading lady. We know she can run. He said, “I’ve had fifty girls run to that post and back. She’s the only one who knows how to run. You’re not going to make a believable girl in a picture of that kind who runs like an average girl. ” And she did. Her rhythm was really beautiful.
On the whole, Carole acquits herself well of the limited displays of emotion required of her, although in the one sequence in the film where she is shown for any length of time in medium close-up, careful observation shows her trying to stifle a laugh when she is supposed to be feeling indignation. She is often shot unflatteringly in profile (as she will not be as a rule in her other Republic films), displaying her pre-nose-job nose and chin, like her mother’s, pointing just a bit at each other.